George Wickes, Silversmith: Specialist and Functions Analysis

George Wickes, Silversmith: Specialist and Functions Analysis


In this coursework I have decided to analyse a good 18th centuries British function of beautiful art. The thing I will probably be closely looking at is a not one but two handled silver precious metal cup in addition to cover. Typically the piece appeared to be produced by George Wickes inside 1735 and is particularly currently to be found in Gallery 53 from the Victoria & Albert Museum in London. With my essay I shall explain the bit and the designer and their place in the skill movement and the majority. My data shall be sucked from my homework and personal feedback.

George Wickes and eighteenth Century Magic Art

George Wickes was created in Suffolk in 1698. He transferred to London to become a good apprentice to help silversmith Samuel Wastell in 1712. 10 years later Wickes registered his / her first mark in 1722 when working in Threadneedle Street. In those times it is almost all probable which the young silversmith found frequent work from the city coming from rich purchasers employing his / her skills being a repairer of things rather than a beautiful and manufacturer of silverware: “…even really wealthy people spent regular sums of money over long periods to the repair of basic family items (candlesticks, punchbowls, etc . ). ” In 1730 he proceeded to go into collaboration with Nicole Craig and even moved towards Norris Streets in Haymarket which was: “ instantly succeeding Cheapside as the jewellers’ quarter connected with London. ” When Craig died several years afterwards Wickes showed his own course in Panton Street, Haymarket (this is usually when he created the two completed silver pot and take care of I am analysing). In 1747 he go into joint venture with Ed Wakelin and also jeweller Samuel Netherton to create Wickes & Wakelin; the company that were later to become Garrard & Provider Limited: “Crown jewellers together with goldsmiths at the time of six reigns and in several centuries. ” George Wickes eventually perished in 1761 at the regarding 63.

It is rumoured which Wickes tutored a young beginner during her London yrs. This apprentice was maybe one of the greatest Mediterranean artists of them all; Thomas Gainsborough: “Legend has it that Gainsborough’s first coach in London was obviously a silversmith. Various suggestions have been completely made to the particular identity of your artisan making an attempt. Two opportunities are George Wickes in addition to George Coyte, both Suffolk men. ” It is also intriguing to note of which Wickes on his own was usually trying to improve his knowledge and inspired abilities and sometimes sought to understand new methods from his peers along with contemporaries: “Wickes achieved variation in the workmanship as a in close proximity follower for Paul Crespin and Paul de Lamerie. ”

The metallic cup and cover We are analysing is approximately 25cm in height and 35cm in width in addition to was almost certainly designed as an object about display and not just an actual ingesting vessel. By way of the 1730s, coated cups had been no longer largely intended as drinking shipwrecks, even though they may possibly still have ended up drunk with on ceremonial occasions, yet were at this moment more important while objects to get display decor fine gifts passed involving gentlemen. The particular overt grandeur of the cup of coffee heralds some time in Indian history the fact that applauded opulence and demos of success. The new cultural practice connected with social observance was centred around the table: “The stand was the core of interpersonal activity in the 17th together with 18th associated with years and, while earlier throughout polite society, the magic with which it previously was dressed returned the prosperity and social standing of the host. ” With this in mind it is extremely easy to imagine the cup positioned proudly given that the table’s centrepiece as the family and friends sit within wonder belonging to the host’s abondance. The cup is carved as if that were your trophy, for all intents and uses that is what it is; draped with lavish, elaborate forged and hunted down representations connected with flourishing vine leaves along with bunches involving tempting blueberries; both exaggerating the images connected with sumptuousness and overflowing wealth. The portion falls efficiently into the beginning Rococo step with its Bacchic theme, happily pointing returning to the original performance of the ceremonial vessel in the hands connected with Bacchus, the main god for wine.

The particular vase-shaped two-handled cup was a popular design in British silver through the entire 18th millennium and this article is perhaps one of the greatest representations on the style. The matters that literally capitals it all is the regal crown sat about the very top. On this motif Wickes has without doubt demonstrated that your dog believes that piece being one that have to adorn the actual table involving nobility.


I believe that decorative masterpiece by Wickes is a superb rendering of eighteenth century Uk design. The main sheer elegance of the drink is a account to a timeframe when towards lavish element was vital to the object’s design as opposed to the object’s feature. It is a planet poles separated than the one in which I reside, in fact I not are convinced a similar concept would be developed today; the very absurdity of any cup which has been not meant to be drunk right from would be a lot of for some! It is my opinion that Wickes was a really important figure in the Uk art exercise who has happen to be largely overshadowed by her contemporaries, particularly William Hogarth. The fact that Wickes’ cup finds a home in the Victoria & Albert Art gallery is testimony both towards the artist along with the work of art.